Gay Deportee Ahmed Soliman Has Won a Return Order. He Is Not Home Yet.

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A federal judge has ordered U.S. officials to facilitate the release and return of Ahmed Soliman, a gay man who grew up in Phoenix and was deported to Equatorial Guinea despite having no ties to the country.

There is now movement toward complying with that order.

On October 9, NPR reported that the government had begun working with his lawyers to locate and contact him and start arranging his return. His arrival back in the United States has not been confirmed.

Soliman came to the U.S. from Egypt at four. He later became a lawful permanent resident. Criminal convictions led to imprisonment and immigration removal proceedings.

But an immigration judge granted him protection against removal to Egypt, finding that he faced a clear probability of torture because of his sexual orientation and his family’s political background.

U.S. officials instead deported him to Equatorial Guinea in April.

In an October 6 order, U.S. District Judge John C. Hinderaker found that Soliman had been removed without notice or a meaningful opportunity to raise fears about being sent there. The judge ruled that the government violated his due-process rights.

The court record describes what followed: confinement under armed guard, threats at gunpoint, beatings and detention without communication with his family or lawyers.

Soliman had spoken to journalists about conditions after his deportation. His subsequent detention left those trying to help him unable to maintain contact.

The judge ordered officials to facilitate his release and return, and to handle his case as it would have been handled had he not been improperly removed. Any further third-country removal must include notice and a meaningful opportunity to be heard.

The ruling does not grant him permanent permission to stay in the United States. DHS has said it will comply with lawful court orders while continuing to pursue his removal.

That distinction matters. So does the protection at the heart of this case: criminal convictions do not remove a person’s right to due process or make torture an acceptable consequence.

For Soliman and the people waiting for news of him, the next milestone is practical and urgent—release from custody, confirmed safety and an actual return.

📷 Ahmed Soliman photograph courtesy of Kate O’Donnell.

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Michael Johnston Played Gay Characters Before He Could Fully Accept Himself

Michael Johnston was bringing gay characters to the screen while still trying to feel comfortable with his own sexuality. Looking back, he says those roles helped him change the way he saw himself.

The actor, now enjoying a breakthrough with the horror hit Obsession, reflects on that experience in a new Attitude cover interview, covered by Out on October 8.

Growing up in a Southern Baptist family in North Carolina, Johnston absorbed frightening messages about being gay. Accepting himself took time.

His acting work became part of that process.

He played Corey Bryant on Teen Wolf and appeared as Neil in the queer film Slash. Those characters offered a way to engage with experiences he was still learning to embrace in his own life.

Johnston now describes a shift from seeing his sexuality as a weakness to recognizing it as a strength. He connects that change with the empathy he has developed.

Then viewers began telling him what his visibility meant to them. He recalls receiving thousands of messages of thanks, including accounts from people who felt better about themselves and people who were able to come out to their parents.

That response gives the story a particularly moving connection. While an actor was working through his own feelings, someone watching could find reassurance in the character he played.

For many LGBTQ+ viewers, that recognition begins with a simple feeling: there is somebody else like me.

Johnston’s current chapter also includes people he loves. Accepting the Film Award at this week’s Attitude Awards, he mentioned that his mother and his partner were there with him.

His partner’s identity has not been confirmed in the reporting used here, but Johnston’s acknowledgement makes room for the relationship alongside the professional milestone.

He is now looking forward to more queer storytelling as his career opens new doors.

These reflections are not a new coming-out announcement. They are a chance to understand what came before his current success: the roles that helped him accept himself, and the viewers who found something of their own lives in his work.

📷 @themichaeljohnston @lacoste

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Michael Kearns Told Hollywood He Was Living With HIV In 1991

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Michael Kearns made a deeply personal announcement on television in 1991: he was living with HIV. At a time of devastating stigma, the openly gay actor wanted other people to know that their diagnosis was nothing to be ashamed of.

Kearns died October 5, aged 76. Journalist and longtime friend Karen Ocamb reported his death in the Los Angeles Blade, with Entertainment Weekly publishing a new obituary October 9.

His career crossed television, film and theater. Audiences saw him in shows including Cheers and Beverly Hills, 90210, and in the television film And the Band Played On, which explored the early AIDS epidemic.

In 1992, after making his own HIV status public, he appeared in Life Goes On as a character living with the virus.

That visibility mattered in an industry where gay performers had often been encouraged to remain private, and where HIV carried another burden of fear and discrimination.

Kearns also worked to make room for stories outside mainstream entertainment. He co-founded Artists Confronting AIDS and directed Robert Chesley’s Jerker, bringing gay men’s experiences of intimacy and the AIDS crisis to the stage.

For readers who lived through those years, his story recalls how much courage it could take simply to speak publicly. Visibility came from individuals willing to put their own lives into the conversation.

His personal life held love, loss and fatherhood.

Ocamb remembers attending his wedding with Philip Juwig, who died in 1992. Later, Kearns became an adoptive father to Tia Katherine, now known as Katherine.

She was part of a life much larger than a diagnosis or an acting résumé: family, friendship, creativity and the everyday work of raising a child.

Remembering Kearns means remembering all of those parts together. His advocacy was connected to the lives he wanted people to recognize—their relationships, their humor, their ambitions and their capacity to care for one another.

He leaves behind decades of work that helped gay people and people living with HIV see themselves represented, and helped audiences see the human beings behind the stigma.

Our thoughts are with Katherine and everyone who loved him.

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Troye Sivan’s New Love Song Is for a Man He Doesn’t Know Yet

Troye Sivan promised his gayest music video yet. With FF, he has also offered something tender: a love song addressed to a man he hopes to find.

The video arrived October 9 alongside his fourth studio album, She’s the Best. Filmed on Fire Island and directed by longtime collaborator Gordon von Steiner, it places an imagined relationship against beaches and the intimacy of a beach house.

Actor Felix Mayr plays Sivan’s love interest. Their on-screen romance gives a face to the feeling behind the song, without making the video a revelation about Sivan’s private relationship status.

In a statement shared by Universal Music, Sivan describes FF as a love song for someone he does not know yet—or, he adds, does not think he knows.

That small qualification leaves the future open. The song expresses hope for a relationship rather than a promise to an existing partner.

There is a particular loneliness in that idea. You can picture the closeness, the shared routines and the feeling of having someone beside you, while having no idea when that person will arrive.

It is a feeling many listeners will recognize, whether they are young, starting over or simply still waiting for a relationship that feels right.

Fire Island gives the imagined romance a meaningful setting. Its communities, including Cherry Grove and the Pines, have long offered LGBTQ+ people places to gather, express themselves and find connection.

Here, that backdrop holds both desire and the possibility of a life together. The physical attraction catches your attention; the wish for lasting closeness gives it another dimension.

The album’s wider visual world includes Nicole Kidman in the title-track video and Ian McKellen’s opening narration for Party. Lily-Rose Depp features on its closing track, Lost Time.

FF brings the focus back to an intimate hope: finding a man to love, and imagining what being together could feel like.

For a singer known for confident expressions of gay desire, admitting that longing is its own kind of openness. Sometimes the person you most want to sing to is still someone you are waiting to meet.

📷 @troyesivan / FF official music video

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A Gay Cheerleader Feared Joining the Soccer Team But Found the Friends He Needed

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Dillon Bacchetta had two reasons to feel nervous about trying out for his college’s soccer team. He had never played the sport before.

And, after growing up gay and experiencing bullying, joining a group of mostly straight men felt like a risk.

He made the team anyway. His first college match ended in a 33–0 defeat.

That scoreline was painful. The relationships that followed became something he treasured.

In a first-person essay published by Outsports on October 7, Bacchetta looks back on how soccer helped him find confidence and friendship as an openly gay man.

He had spent years competing as a cheerleader. When he arrived at Atlantic Cape Community College in New Jersey and found there was no cheerleading team, he chose a sport he had always wanted to try.

He practiced on his own before tryouts. Being a beginner meant entering the team without the experience he had built in cheerleading, while carrying fears shaped by the way other boys had treated him growing up.

His new teammates gave him a different experience.

They helped him learn soccer. Friendship grew around ordinary conversations, jokes and advice about relationships. They could talk about girls; he could talk about boys. His sexuality did not become an obstacle to getting close.

For someone accustomed to watching how he spoke and behaved around other men, that ease mattered. He could relax into being a teammate and a friend.

By the end of the season, Bacchetta had become a starter and earned recognition for his improvement. Atlantic Cape’s own account of its 2025 athletics awards also lists him as the men’s soccer team’s Most Improved Athlete.

The personal change reached beyond the field. Learning to trust other men gave him something years of bullying had made difficult to imagine.

His story leaves room for a quieter kind of sporting success: people helping each other, sharing everyday parts of their lives and discovering that they belong together.

A crushing defeat was part of Dillon’s introduction to soccer. So was finding friends who wanted him on their team.

📷 Instagram: @dillbacc

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