Remember the 12-Year-Old Who Sang “Paparazzi”? This Is Greyson Chance Now.

In 2010, a 12-year-old Greyson Chance sat at a piano and sang Lady Gaga’s “Paparazzi.” The school talent-show performance went viral, leading to an appearance on The Ellen DeGeneres Show and a record deal.

More than a decade later, Chance is 29, openly gay and making music on his own terms.

His new album, Boystown, arrived on September 25. It is a striking contrast with the young performer many people first encountered online: not because Greyson has abandoned that history, but because he has grown into an artist who gets to define the story himself.

Chance made the album independently after a painful breakup. For the first time in 17 years, he says, there was no label, A&R team or manager directing the process. He wrote the record in just three weeks.

The title comes from Chicago’s historic Boystown gayborhood. Chance wanted the album to feel like a gay neighborhood, with different streets and back alleys leading into one another.

That idea gives Boystown more than a location. It becomes a way of describing queer life: many moods, many routes, and many ways to find a place where you belong.

The boy who once became famous at a piano grew up in public. Now the openly gay artist is making a record that sounds self-directed, personal and unmistakably queer.

From viral “Paparazzi” cover to Boystown, this is Greyson Chance taking the keys back.

Read the interview via BuzzFeed.

📷 @greysonchance

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For Years, Ronen Rubinstein Was Half of TV’s Favourite Gay Couple. Now He’s Going Tactical.

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For years, Ronen Rubinstein played T.K. Strand, the openly gay firefighter at the centre of one of television’s most beloved queer relationships.

Now he is stepping into a very different uniform.

Rubinstein plays Jude Callan in S.W.A.T.: Exiles, the new Starz spinoff that brings a younger, rougher tactical team into the franchise. The series premiered on September 25.

Jude is a tactical officer with a troubled past — a long way from T.K., whose relationship with Carlos became known to fans as Tarlos.

From Tarlos to tactical action

Rubinstein’s new role offers a striking contrast with the character that made him a favourite among queer viewers.

T.K. was a gay firefighter whose story included love, family and recovery.

Jude is a wildcard with a darker history, joining a team of talented outsiders led by Shemar Moore’s Hondo Harrelson.

In a new interview, Rubinstein says he appreciates the chance to play “very badass people” while still giving them emotional depth.

For an openly bisexual actor, that range matters. Queer performers should not have to choose between playing meaningful LGBTQ+ characters and taking on action roles with physical authority.

A new chapter for Ronen Rubinstein

Rubinstein came out as bisexual in 2021, inspired in part by the experience of playing T.K. His portrayal helped make the Tarlos relationship meaningful to viewers who were used to seeing queer characters defined mainly by trauma.

Now his next role is built around danger, conflict and tactical action.

That does not erase T.K. Strand. It shows what comes after a character becomes part of queer television history.

Ronen Rubinstein can be the tender half of a beloved gay romance and a complicated action hero in the same career.

And in real life, he has the support of his wife, actor Jessica Parker Kennedy.

Read the interview at Out.

📷 @ronenrubinstein / Fox / Starz

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When Freddie Fraser Came Out, His Mum Was Terrified. Not for the Reason You Might Think.

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When Freddie Fraser came out as bisexual, his mum was terrified.

Not because she had a problem with his sexuality.

She was afraid people would be cruel to her son again.

Fraser has shared a new update from his first days as an openly bisexual student at City St George’s, University of London, where he is studying for a master’s degree in broadcast journalism.

He says being open about his identity at university has helped him reclaim a part of himself that used to be scared of being judged or bullied.

“I was petrified”

In the comments beneath Freddie’s Instagram video, his mum Kate explained what had been going through her mind when he came out.

She said she was “petrified” that people might treat him badly, remembering what he had experienced when he was younger.

Her fear was not about Freddie being bisexual. It was about the possibility that the world might punish him for being honest about who he was.

But Kate also admitted that she had been wrong to expect the worst.

Freddie’s friends had shown her that things had changed. And seeing him so happy now makes her “the happiest mum on the planet.”

A new kind of coming-out story

That is a part of coming out that is not always discussed. Sometimes the people who love us are not afraid of our identity. They are afraid of what other people might do with it.

For Freddie, university has become a place where he can be open without expecting rejection. He has described that experience as progress — and as a chance to recover something he once had to protect.

With boyfriend Bailey Ramsden beside him, he is building an open life that includes love, study and the freedom to be seen.

His mum’s reaction is emotional because it contains both fear and relief. She worried that Freddie might be hurt again. Now she gets to watch him become happier and more fully himself.

📷 @freddiefraserr

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You May Remember Him From Love, Simon. Now Joey Pollari Is in American Horror Story.

Joey Pollari has gone from playing Lyle in Love, Simon to one of the new central roles in American Horror Story: 13.

Pollari plays Ben DeSoto, a hospice worker who is drawn into the world of Constance Langdon in the latest season of Ryan Murphy’s horror anthology.

For an openly gay actor, it is a strikingly visible role in one of television’s biggest horror franchises.

A role in a queer-friendly TV universe

Pollari’s connection to queer screen history began with Love, Simon, the 2018 film about a closeted high-school student navigating love, friendship and coming out.

His new role is very different. American Horror Story is darker, stranger and much less interested in making its characters feel safe.

But the visibility matters. Pollari is now part of a long-running television universe that has repeatedly made room for queer characters, queer desire and performers who do not have to hide who they are.

Bringing Polari into the present

Pollari is also making music that reaches back into queer history.

His new song, “The Low Gives Weight,” was inspired by Polari, the coded language once used by gay men in Britain to communicate discreetly when homosexuality was criminalised.

Pollari discovered Polari during the pandemic and began exploring its history and vocabulary. He uses the language as part of a larger artistic interest in the movement from private identity to public expression.

That gives his current moment an extra layer. While audiences are meeting him as Ben DeSoto in a major horror franchise, Pollari is also bringing a hidden piece of gay history into new music.

From Lyle to Ben

Many viewers will recognise Pollari from Love, Simon. Now they are seeing him in a very different kind of story — one involving hospice care, supernatural danger and Constance Langdon.

It is a memorable new chapter for an openly gay actor who is exploring queer identity both on screen and through music.

📷 @joeypollari @fxnetworks

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Marc Almond and Dave Ball Made Music Together for 47 Years. This Is Their Final Album.

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For 47 years, Marc Almond and Dave Ball made music together.

Now Soft Cell’s final album, Danceteria, has been released — a last piece of work from the partnership behind “Tainted Love,” “Say Hello, Wave Goodbye” and some of the most distinctive electronic pop of the 1980s.

Almond says Ball heard the finished album two days before he died. He was proud of it and excited about what they had created together.

A final piece of their partnership

Danceteria is inspired by early 1980s New York and named after the legendary club where Soft Cell spent time while working on their debut album, Non-Stop Erotic Cabaret.

For Almond, the record is also a farewell. He has said there can be no more new Soft Cell recordings without Ball, because making music together was at the heart of what the group was.

The album therefore carries the feeling of a final conversation between two people who had been making music, arguing, reconnecting and influencing each other since the late 1970s.

“Unless you lived through it”

In a new interview, Almond also reflects on what it meant to be gay through the 1970s, ’80s and ’90s.

He speaks about homophobia, the devastation of the AIDS crisis and the gay men who spent decades unable to come out. Some older gay men, he says, still carry the shame so deeply that they have never been able to live openly.

“Unless you lived through it, it’s almost impossible to understand,” Almond says.

That history is part of what makes Soft Cell’s work feel so important. Almond did not simply sing about alienation, desire and nightlife from a distance. He was making music inside a culture that was often punished for being visible.

A goodbye with the music still playing

Danceteria is more than a final album. It is a record Dave Ball got to hear, approve of and feel proud of before he was gone.

Marc Almond and Dave Ball made music together for almost half a century.

This is their last album together. But the sound of that partnership is still here.

Via The Guardian.

📷 @marcalmondofficial

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